“Walking On The Fade Out Lines”
The stylish and anodyne presentation could not subdue the unrest expressed in many of the pieces.
Ken Lum’s “What’s Old Is Old For a Dog”
The notion of rift was explored in a survey of Lum
Li Ming’s “1703”
Li refrains from offering a concrete definition of art, instead presenting it as an enigma for the viewer to decipher.
Xie Nanxing’s “Spices”
Interrogating the artist’s understanding the relationship between Western and Chinese artistic styles.
ArtAsiaPacific Issue 142 (Mar/Apr 2025)
- Yasumasa Morimura
- Maria Taniguchi
- Wing Po So
- Angelica Mesiti
- Dumb Type
“Presence: A Window into Chinese Contemporary Art”
A window into Chinese contemporary art, in the city that claims one of the oldest Chinatowns in Europe.
“Avant-Garde Shanghai”
The group show
Lee Kit and Cui Jie’s “The Enormous Space”
Chinese artist Cui Jie showed us how architecture at an ambitious scale can inspire, while Hong Kong-born Lee Kit placed us in an intimate, domestic setting.
He Xiangyu’s “Evidence”
A view into life along the Yalu River – and the social and political divisions of the region.
