“Walking On The Fade Out Lines”
The stylish and anodyne presentation could not subdue the unrest expressed in many of the pieces.
Ken Lum’s “What’s Old Is Old For a Dog”
The notion of rift was explored in a survey of Lum
Li Ming’s “1703”
Li refrains from offering a concrete definition of art, instead presenting it as an enigma for the viewer to decipher.
Xie Nanxing’s “Spices”
Interrogating the artist’s understanding the relationship between Western and Chinese artistic styles.
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“Presence: A Window into Chinese Contemporary Art”
A window into Chinese contemporary art, in the city that claims one of the oldest Chinatowns in Europe.
“Avant-Garde Shanghai”
The group show
Lee Kit and Cui Jie’s “The Enormous Space”
Chinese artist Cui Jie showed us how architecture at an ambitious scale can inspire, while Hong Kong-born Lee Kit placed us in an intimate, domestic setting.
He Xiangyu’s “Evidence”
A view into life along the Yalu River – and the social and political divisions of the region.
