“The Day the Gods Stop Laughing”
Common household objects disrupt deliberate sophistication, symbolizing the unglamorous aspects of life.
“Walking On The Fade Out Lines”
The stylish and anodyne presentation could not subdue the unrest expressed in many of the pieces.
Lin Aojie’s “If You Throw Enough Mud at the Wall, None of It Will Stick”
Lin expresses in several of the works: annoyance with the disjuncture between art and capitalism, annoyance with an artist
Jiang Pengyi’s “Away From Disgrace”
The artist confronts the tendency to turn away from disgrace.
Liang Shaoji’s “Sha Sha Sha”
The artist expands his axis of time and humanity to investigate ancient civilizations and ongoing global conflicts.
ArtAsiaPacific Issue 141 (Nov/Dec)
- Mandy El-Sayegh
- Pratchaya Phinthong
- Anicka Yi
- Wu Jiaru
- Chan Hau Chun
- 15th Gwangju Biennale
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Suh Se Ok
Gallery Hyundai
"Chung Chang-Sup"
A survey of Chung
Transitions: New Photography from Bangladesh
An exhibition that offers a series of keyhole views on Bangladesh that circumvents the creation of a fixed or specific image of the country.
