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Kochi-Muziris Biennale 2025–26: For the Time Being
Ideas
The House of the Heart: Trevor Yeung, Vessel Poetics, and Failure as Transformation
Shows
Time as Witness: Ai Weiwei at Nature Morte
Shows
Araya Rasdjarmrearnsook: The Bouquet and the Wreath
Shows
When the City Looked Back: Park Hyunki’s Radical 1981 Performance
News
News
Weekly News Roundup: March 2, 2026
News
Mari Katayama Wins Inaugural Mori Art Award
News
Artists Revealed for 2026 Venice Biennale
News
South Africa Withdraws from 2026 Venice Biennale
People
People
A Space to Breathe: Kulapat Yantrasast’s Dib Bangkok
People
Sacred Thresholds: Interview with Gulnur Mukazhanova
People
Bring the Noise: Interview with Marco Fusinato
People
The Body is Where Critique Lives: Interview with the Curators of “Human Being Human”
Shows
Shows
Kochi-Muziris Biennale 2025–26: For the Time Being
Shows
Time as Witness: Ai Weiwei at Nature Morte
Shows
Araya Rasdjarmrearnsook: The Bouquet and the Wreath
Shows
When the City Looked Back: Park Hyunki’s Radical 1981 Performance
Current Magazine Issue
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Editor’s Letter: Beings in Transition
Issue
Ching Ho Cheng: The Poetics of Process
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Wong Ping on Shūji Terayama
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Geumhyung Jeong: Under Construction
From the Archive
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PERSPECTIVE: Rirkrit Tiravanija
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Mona Hatoum: Domestic Insecurities