Minor Keys, Major Ruptures

Minor Keys, Major Ruptures

A Degree of Separation: Interview with Başak Doğa Temür

A Degree of Separation: Interview with Başak Doğa Temür

“This is (Not) Conceptual Art” at MMCA Seoul

“This is (Not) Conceptual Art” at MMCA Seoul

Salt Research: Handan Börüteçene Archive

Salt Research: Handan Börüteçene Archive

A Discipline of Feeling: On “Youth Palace” at the Rockbund Art Museum

A Discipline of Feeling: On “Youth Palace” at the Rockbund Art Museum

News

Low Kee Hong to Lead 2028 Biennale of Sydney

Low Kee Hong to Lead 2028 Biennale of Sydney

Valentin Noujaïm Wins Han Nefkens Foundation’s Mediterranean Video Art Grant

Valentin Noujaïm Wins Han Nefkens Foundation’s Mediterranean Video Art Grant

Shabbir Hussain Mustafa Named Artistic Director of 2028 Aichi Triennale

Shabbir Hussain Mustafa Named Artistic Director of 2028 Aichi Triennale

EU Pulls Venice Biennale Funding Over Russian Participation

EU Pulls Venice Biennale Funding Over Russian Participation

People

A Degree of Separation: Interview with Başak Doğa Temür

A Degree of Separation: Interview with Başak Doğa Temür

New Currents: Jeanne F. Jalandoni’s Imagined Memories

New Currents: Jeanne F. Jalandoni’s Imagined Memories

Shi Guowei’s Authentic Illusions

Shi Guowei’s Authentic Illusions

New Currents: Melody Qingmei Li’s Porous Selves

New Currents: Melody Qingmei Li’s Porous Selves

Shows

Grounding the Body: Jin Shan at the Jiayuanhai Art Museum

Grounding the Body: Jin Shan at the Jiayuanhai Art Museum

“This is (Not) Conceptual Art” at MMCA Seoul

“This is (Not) Conceptual Art” at MMCA Seoul

The Coconut Knows: Martha Atienza at Silverlens

The Coconut Knows: Martha Atienza at Silverlens

A Discipline of Feeling: On “Youth Palace” at the Rockbund Art Museum

A Discipline of Feeling: On “Youth Palace” at the Rockbund Art Museum

Current Magazine Issue

Issue 149

Editor’s Letter: Shifting Visions

Saodat Ismailova: Ancestral Futures

Ellen Pau: The Lighthouse Keeper

Ding Yi: Against the Image

From the Archive

RIRKRIT TIRAVANIJA, Untitled (demonstration no. 145), 2007, graphite on paper, 8.3 x 11.8 in. Collection of Craig Robins, Miami. Courtesy Gavin Brown’s Enterprise, New York.

PERSPECTIVE: Rirkrit Tiravanija

Lee Ufan: Illusions and Interrelationships

FROM THE ARCHIVE

Lee Ufan: Illusions and Interrelationships

HOMEBOUND, 2000, Kitchen utensils, furniture, electric wire, light bulbs, computerized dimmer unit, amplifier, speakers, dimensions variable. Installation view at Duveen Galleries,

Mona Hatoum: Domestic Insecurities