Liu Wei: Bare Life, Bare Love

Liu Wei: Bare Life, Bare Love

Up Close: Lawrence Abu Hamdan

Up Close: Lawrence Abu Hamdan

Sculptures that Bewitch: “Unbound Forms” at the Hepworth Wakefield

Sculptures that Bewitch: “Unbound Forms” at the Hepworth Wakefield

Conditions for Resonance: “Attunement” at the Taipei Fine Arts Museum

Conditions for Resonance: “Attunement” at the Taipei Fine Arts Museum

“A Necessary Fiction: Maps, Art, and Models of Our World” at Venice’s Abbazia di San Gregorio

“A Necessary Fiction: Maps, Art, and Models of Our World” at Venice’s Abbazia di San Gregorio

News

Weekly News Roundup: September 25, 2026

Weekly News Roundup: September 25, 2026

Philippine Artists’ Coalition Rally Against Planned US-Led AI Development Hub

Philippine Artists’ Coalition Rally Against Planned US-Led AI Development Hub

The Met Breaks Ground on Tang Wing

The Met Breaks Ground on Tang Wing

Liang Shaoji, 1945–2026

Liang Shaoji, 1945–2026

People

Inside the Self-Enclosed Universe of Henri Alexander Levy

Inside the Self-Enclosed Universe of Henri Alexander Levy

Memory and Stewardship: Notes from South Korea

Memory and Stewardship: Notes from South Korea

Two Buildings, One New Museum

Two Buildings, One New Museum

Roots and Reach: Dina Amin on Building Saudi Arabia’s Visual Arts Ecosystem

Roots and Reach: Dina Amin on Building Saudi Arabia’s Visual Arts Ecosystem

Shows

Home Is a Fleeting Embrace: India at the 61st Venice Biennale

Home Is a Fleeting Embrace: India at the 61st Venice Biennale

Conditions for Resonance: “Attunement” at the Taipei Fine Arts Museum

Conditions for Resonance: “Attunement” at the Taipei Fine Arts Museum

“A Necessary Fiction: Maps, Art, and Models of Our World” at Venice’s Abbazia di San Gregorio

“A Necessary Fiction: Maps, Art, and Models of Our World” at Venice’s Abbazia di San Gregorio

Sculptures that Bewitch: “Unbound Forms” at the Hepworth Wakefield

Sculptures that Bewitch: “Unbound Forms” at the Hepworth Wakefield

Current Magazine Issue

Issue 150

Editor’s Letter: When Categories Collapse

Haneyl Choi: The Body as Sculptural Field

Liu Wei: Bare Life, Bare Love

From the Archive

YAYOI KUSAMA, Self-Obliteration, 1967, black-and-white photograph, ink, 18.2 x 24 cm, courtesy Ota Fine Arts, Tokyo.

FROM THE ARCHIVE

Yayoi Kusama: An Unwritten Biography