A commentary on “the human” as a hegemonic category.
Playful testimonies to the changes of late 20th-century China.
Totemic sculptures and molten busts that “pulsate with visceral material presence.”
The visual vocabulary of belonging.
The editors weigh in on the artist’s solo exhibition at Hong Kong’s Tai Kwun Contemporary.
Critically assessing the extraction, transmission, and reception of information in the age of big data.