Qiu Shihua’s “Dawn Light”
His works stimulate viewers to observe in stillness, to sink themselves into dense layers of paints.
Franklin Chow’s “Zigzagging My Way Home”
Chow magically transforms his ink paintings into understated, geometric compositions.
Niki de Saint Phalle and Shen Yuan’s “HON”
Constructing a cross-cultural and -generational conversation between two artists exploring gender and the female experience.
Mao Haonan and Hsiung Cheng-Kai’s “Continuous Terminus”
The double-solo exhibit of Mao Haonan and Hsiung Cheng-Kai, is a rare spectacle.
“The Voice of the Brush – Part II”
final exhibition of the two-part series shifted its focus to the diverse directions that newer artists are taking.
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Zhang Yanzi’s “A Quest for Healing”
The connection of the health of the individual and the wellbeing of the collective, colonized body was one among the fascinating questions posed.
“This is Shanghai”
The claims so often made by contemporary exhibitions are all achievable, if executed with genuine thought and care.
Zhang Huan and Li Binyuan’s “Land”
The selection of artists reflected curator Klaus Biesenbach
Luo Ying’s “Layered Hills”
Gongbi style landscape paintings
