“Kotodama”
The spiritual roots of languages, the power dynamics in their exercise, and the lyricism of vernacular songs.
“One Hand Clapping”
Though darkly humorous, the futuristic visions in
Jason Phu and John Young Zerunge’s “The Burrangong Affray”
The project seeks to address the forgotten horrors faced by Chinese migrant gold miners.
Li Wenguang’s “Palingraphia”
Li creates dense and complex surfaces to create patterns and discover new forms dictated by logic and symmetry.
Xu Zhen’s “Alien”
Addresses the contemporary politics of conflict, protest, migration, and the identification of the
ArtAsiaPacific Issue 142 (Mar/Apr 2025)
- Yasumasa Morimura
- Maria Taniguchi
- Wing Po So
- Angelica Mesiti
- Dumb Type
Golnaz Fathi “A Long Line Without a Word”
Freedom is attained through discipline. Only rarely does the artist permit a spontaneous line to leap free.
Mak Ying Tung 2’s “The Anything Machine”
Mak creates a strange atmosphere, reflecting the feeling of a quasi-hypermodern spirituality when we look around to see what we actually pay dues to.
Zheng Zhou’s “2014”
Paying tribute to a special creative period, Edouard Malingue Gallery presents 12 of Zheng
Lu Xinjian’s “Boogie Woogie”
Showcasing 12 cityscape paintings to get lost in.
