TeamLab’s “Living Digital Forest and Future Park”
Depth and substance from drawing on ancient Japanese culture and aesthetics.
Dong Yuan, Lam Tung Pang, and Lao Tongli in “Transitions”
Concepts of change explored through life and politics.
Aishan Yu’s “1=0.999999999999999. . .”
The true artistic value in the artist’s work comes from her tendency to extend beyond the frame of her drawings, departing from photorealism to suggest subjects to us, allowing new and unexpected perceptions to predominate.
“Listening to Transparency”
An extensive sound art exhibition with the theme of transparency in the Minsheng Museum
“Jingfang Hao & Lingjie Wang”
The gallery space transformed into a quiet amusement park filled with studies and experiments on machinery, technology, material and natural phenomena.
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Xu Zhen’s “Civilization Iteration”
Encapsulating key threads that the artist has articulated over the course of his career: transcendence, agony, and redemption.
Lin Yuqi’s “Qfwfq”
There is continuity in mood, as if they are chapters of a larger story, but much has been redacted, obfuscating any connection between the video works.
Feng Mengbo’s “Museum”
The artist’s latest solo show,
Ulrike Ottinger’s “China. The Arts – The People, Photographs and Films from the 1980s and 1990s”
In her practice spanning five decades, German filmmaker and photographer has been no stranger to the knotted politics of representing differences.
