Kazuko Miyamoto and Lydia Okumura “Minimalist Anyway”
Two female artists confronting the Minimalism that had predominated in the 1960s and early 1970s.
Maeve Brennan’s “The Drift”
Set in Eastern Lebanon
Niyaz Najafov’s “Absorb, Adhere, Advance”
A flair for the grotesque.
Ryoji Ikeda’s “π, e, ø”
How information can be visualized, and how this visualization contributes to our understanding of our own mental faculties.
Makoto Ofune at Olivier Malingue
The works of a time-intensive practice.
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Nadim Karam’s “Urban Stories”
The contours and richness of their temporal and geographical settings.
Soheila Sokhanvari’s “Paradise Lost”
Punctuated with a series of abstract self-portraits and with the discrete insertion of two images recording Iran
Suki Chan’s “Lucida”
Subjectivity and the exploration of one
Anish Kapoor at the Museum of Contemporary Art of Rome
Engaging the unconscious and mythological forms.
