Iwasaki Takahiro, Jung Yeondoo and Sarah Lai’s “(In)tangible Reminiscence”
The three works by Takahiro, Jung and Lai, exist as an ode to Hong Kong
Dinh Q. Lê's “Monuments and Memorials”
Pondering the rift between the magnificent and the monstrous as two extremes of humanity.
Tamar Harpaz’s “Crazy Delay”
The work represents the final iteration in a chain of transpositions between radically different
Jesse Chun’s “Name Against the Same Sound”
Though the raw and sometimes hard-edged aesthetic, the artist asks
Ranjani Shettar's “Seven Ponds and a Few Raindrops”
The debut of Shettar
“Presence: A Window into Chinese Contemporary Art”
A window into Chinese contemporary art, in the city that claims one of the oldest Chinatowns in Europe.
“Songs for Disaster Relief World Tour”
Inspired by benefit concerts, the artist asks: if the voices of the marginalized are not given a platform on the world stage, then to whom does the world really belong?
“2018 Triennial: Songs for Sabotage”
The Triennial posits that young creatives appetite for destruction,
