Gavin Hipkins’s “The Domain”
Abstract-leaning works and representational projects provide conceptual missing links between more well-known bodies of work.
“So Far So Right: A Study of Reforms and Transitions”
The exhibition touched on cold, rigid topics, including how power reshapes maps, borders, boundaries, and how to establish unique, cultural ties.
“Against the Light: Sampling in Two Cities”
Tapping cultural specificities of the Cantonese-speaking region in Southeast China, the exhibition focus on a younger generation of artists.
Boaz Vaadia’s “Boaz Vaadia | 1951–2017”
The retrospective contained some strong examples, but failed for the most part to show Vaadia
Luke Heng’s “After Asphodel”
Luke Heng transliterated the liminal
Timo Nasseri’s “All the Letters in All the Stars”
The artist attempts to unravel the mystery of the four letters through the constellations over Abbasid-era Baghdad.
Shilpa Gupta’s “Drawing in the Dark”
An articulation of the Mumbai-based artist
Patty Chang’s “The Wandering Lake”
Chang uses water as both a physical force and metaphorical inspiration at the Queens Museum exhibition.
“Roadside Picnic”
The ten artists utilize animation, film, installation, painting, sculpture and other mediums to explore modes of storytelling that move beyond East-West binaries.
