“Walking On The Fade Out Lines”
The stylish and anodyne presentation could not subdue the unrest expressed in many of the pieces.
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Ken Lum’s “What’s Old Is Old For a Dog”
The notion of rift was explored in a survey of Lum
Xavier Cha’s “Ruthless Logic”
Filmed at Shaw Studios, Cha toes the line between violence and vulnerability.
Jesse Chun’s “Name Against the Same Sound”
Though the raw and sometimes hard-edged aesthetic, the artist asks
Ranjani Shettar's “Seven Ponds and a Few Raindrops”
The debut of Shettar
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Kim Tschang-Yeul’s “Kim Tschang-Yeul”
The retrospective traced the visual progression of Kim’s practice, while also alluding his journey of reminiscence and acceptance.
“The Preservationists”
Rejecting the decorative aesthetics, these works reveal the discomfort that everyday objects evoke.
“Everything We Do is Music.”
Building on this adage and thought, the show delved into a foundational element of classical Indian music, the raga.
Boaz Vaadia’s “Boaz Vaadia | 1951–2017”
The retrospective contained some strong examples, but failed for the most part to show Vaadia
