Nadim Abbas’s “Tetraphilia”
The sublime and the kitsch reunited in sacred matrimony.
“Perdido Eden”
A slice of life from Southeast Asia.
“Weight of History” at Singapore Art Museum
Proving that private collecting and contextual complexity are not necessarily incompatible.
Genevieve Chua and Emma Critchley’s “Disappearing Moon”
Manipulations of light and water, sound and dimension from the participants of the 2012 British Council Singapore and the Singapore International Foundation
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“Deep S.E.A.”
Calling attention to the mosaic of approaches from Southeast Asia, while proposing that shared concerns resonate beyond national borders.
Charles Lim’s “Sea State 2: As Evil Disappears”
Exploring Singapore’s loss of maritime resources and its physical transfiguration.
“Intersecting Histories: Contemporary Turns in Southeast Asian Art”
Foregrounding the trajectories of postwar art in the region.
Song Ming Ang’s “Cover Versions”
Contemporary soundscapes and the broader social processes in which they are enmeshed.
