Oh Soon-Hwa’s “Coastal Regions (Delta)”
Contemplating not razed mountains or concrete walls, but the quiet, devastating transformations brought about by unchecked development.
The History of Boys: The MES 56 and Beyond
A series of researched-based exhibitions examining the development of Southeast Asian contemporary photography.
“Artist and Empire: (En)countering Colonial Legacies”
A curatorial challenge of representing colonialism from the perspective of those subjugated by it.
Robert Zhao Renhui’s “The Bizarre Honour”
Pseudo documentarian photographs and installations graced with startling authenticity.
Chun Kai Qun’s “Solid Prayers”
Characteristically off-kilter works, including paraphrasings of older pieces.
“The World Precedes the Eye”
Framing an alternative narrative to that of the Anthropocene.
Ruben Pang’s “Zwitterion”
Canvases that straddle the line between abstraction and figuration.
Heri Dono's "Zaman Edan: The Age of Craziness"
Semar inevitably restores chaos by forcing awareness, prompted by his vulgarities, gossip and barbed critiques of current events.
"A Fact Has No Appearance: Art Beyond the Object"
The three featured artists and their practices, though distinct from one another, stretched the possibilities of their respective mediums and paved the way for future generations of artists from their regions to forge new expressions and perspectives, effectively redefining traditional notions of art.
