Iwasaki Takahiro, Jung Yeondoo and Sarah Lai’s “(In)tangible Reminiscence”
The three works by Takahiro, Jung and Lai, exist as an ode to Hong Kong
Jesse Chun’s “Name Against the Same Sound”
Though the raw and sometimes hard-edged aesthetic, the artist asks
“Songs for Disaster Relief World Tour”
Inspired by benefit concerts, the artist asks: if the voices of the marginalized are not given a platform on the world stage, then to whom does the world really belong?
“2018 Triennial: Songs for Sabotage”
The Triennial posits that young creatives appetite for destruction,
Lee Kit and Cui Jie’s “The Enormous Space”
Chinese artist Cui Jie showed us how architecture at an ambitious scale can inspire, while Hong Kong-born Lee Kit placed us in an intimate, domestic setting.
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Heman Chong’s “Abstracts from The Straits Times”
Objectivity is a myth.
“The Preservationists”
Rejecting the decorative aesthetics, these works reveal the discomfort that everyday objects evoke.
Cui Xinming’s “Differentation”
Allegorical paintings about history and painting.
Liang Ban’s “Diary of a Pioneer”
Liang offers sardonic observations about our time.
