“The Voice of the Brush – Part II”
final exhibition of the two-part series shifted its focus to the diverse directions that newer artists are taking.
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“The Day the Gods Stop Laughing”
Common household objects disrupt deliberate sophistication, symbolizing the unglamorous aspects of life.
“The Strangeness of Her Narratives”
Despite the wide spectrum of artistic expression, the exhibit hardly broke the stereotypical aims of Chinese art.
Catherine Christer Hennix’s “Thresholds of Perception”
As Philip K. Dick once said,
Luo Ying’s “Layered Hills”
Gongbi style landscape paintings
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“Kotodama”
The spiritual roots of languages, the power dynamics in their exercise, and the lyricism of vernacular songs.
“One Hand Clapping”
Though darkly humorous, the futuristic visions in
Tuan Andrew Nguyen’s “My Ailing Beliefs Can Cure Your Wretched Desires”
Disturbing paradoxes within humanity
“Beckoning the Mutation”
How does one negotiate space when it is as scarce a commodity as it is in Hong Kong?
