Pacita Abad's “A Million Things To Say”
The large-scale trapuntos dated from the 1980s to the early 2000s imbue geometry with a sense of movement and rhythm.
Shenzhen Biennale: Open Source
Promoting decentralization and open collaboration
“The Szechwan Tale. China, Theatre and History”
Exploring the relationship between visual art and theater in Asia and Europe, featuring 32 works by international artists
Tarek Atoui’s “The Ground: From the Land to the Sea”
The exhibition was devised for both an immediate encounter with sound art and and a durational process of “de-composing”.
An Gee Chan’s “Go On Without Me”
In a new series of screen prints, An Gee Chan pushes the abstraction of the human face to its limits
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Latif al-Ani’s “Through the Lens 1953–1979”
Capturing Iraq
Timur Si-Qin’s “Campaign for a New Protocol, Part III: New Peace”
Multimedia installation to promote a
Jes Fan’s “Mother is a Woman”
Questioning divisions between division between living and dead, animate and inanimate, and how this intersects with sexuality, race, and our environs
“Sheer Fantasy”
The mere act of stepping into the exhibition conscripts the viewer in a willingness to dream.
