The Deadly Absurdity of Borders: Lawrence Abu Hamdan’s “45th Parallel”
A film about borders at Spike Island.
A film about borders at Spike Island.
Critically assessing the extraction, transmission, and reception of information in the age of big data.
The threshold of visibility and intelligibility remains ambivalent and ambulatory, as shapes emerge from and recede into the nebulous swaths of light.
The exhibition was devised for both an immediate encounter with sound art and and a durational process of “de-composing”.
Questioning the capacity of impressions to remain accurate over time.
Set in Eastern Lebanon
Fictional stories out of archival materials.