Yun Hyong-Keun at MMCA Seoul
Nuanced interplay of colors gives way to an impenetrable blackness.
Tiffany Jaeyeon Shin’s “Universal Skin Salvation”
Exploring the concept of skin as an aesthetic by reproducing many facets that define the K-beauty industry.
Bangkok Art Biennale 2018: “Beyond Bliss”
The first edition of a new event for Thailand’s major city.
ArtAsiaPacific Issue 142 (Mar/Apr 2025)
- Yasumasa Morimura
- Maria Taniguchi
- Wing Po So
- Angelica Mesiti
- Dumb Type
“Institute of Asian Performance Art”
For the first time in the program
Highlights from Busan Biennale 2018: “Divided We Stand”
A tidy formulation for the situation today on the Korean peninsula, and other places around the world that remain partitioned or separated by the legacies of decolonization and Cold War politics.
Haegue Yang’s “Triple Vita Nestings”
The work functions as a mini-survey of the artist
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