I Have No Faith Left for the Devil to Take

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile-based works, all which use historically charged materials and forms. Design by Office of Paul Sahre with Ramona Heiligensetzer. Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.