China, Four Ways: Pretense and Propaganda in Venice
Big doesn’t always mean better, and small doesn’t always mean interesting. China extolled its cultural “virtues,” while Hong Kong lost itself in an opacity of metaphors.
Big doesn’t always mean better, and small doesn’t always mean interesting. China extolled its cultural “virtues,” while Hong Kong lost itself in an opacity of metaphors.
The curator from Brazil challenges audiences to think about their own positions, and culture writ large.
In the group show at Spruth Magers Berlin, five artists interrogate temporal and physical boundaries.
Curator Olivia Shao explores acts of ritual and resistance at Hong Kong’s Empty Gallery.
From Singapore to Seoul, the major museum exhibitions of the season.
Looking at Asia through stories of diaspora and human displacement.
Shuyi Cao, Anastasia Komar, and So Young Park imagine alternatives to the Anthropocene.
M+ showcases the Japanese artist’s vivid, and humorous, spectrum of works.
A Hong Kong artist’s arcade of plastic aesthetics and obsessions.