“Indulging in Imagination – Exhibition of Old Master Q’s Comics Works”
A tribute to Wong Chak, the father-and-son artist duo who created the light-hearted comic character Old Master Q (OMQ).
Simon Fujiwara’s “Joanne”
Documenting a woman’s efforts to regain control of her own image.
Simon Starling’s “At Twilight (After WB Yeats’ Noh Reincarnation)”
Reimagining a Noh drama and resurrecting a tumultuous moment in history.
Heri Dono’s “Angel’s Exodus”
Processing the political and social eruptions of his native Indonesia.
Ryudai Takano’s “When the absence of light touches the ground, distance is lost and distance created”
Images that live somewhere between the physical and metaphysical world.
ArtAsiaPacific Issue 141 (Nov/Dec)
- Mandy El-Sayegh
- Pratchaya Phinthong
- Anicka Yi
- Wu Jiaru
- Chan Hau Chun
- 15th Gwangju Biennale
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Taiwanese Artists Look “For a Better Tomorrow”
Embracing the political in a critique of neoliberalism.
Ip Yuk Yiu’s “Clouds Falling: Machinima”
A simple setup belies complex images.
Trevor Yeung’s “The Sunset of Last Summer”
Combining themes of love, loss and unfettered reminiscence.
20th Biennale of Sydney: "THE FUTURE IS ALREADY HERE – IT’S JUST NOT EVENLY DISTRIBUTED"
The seven so-called thematic “Embassies” are based around central concerns of artists working today, and where the discursive thread usually leads to forlorn, and foregone, conclusions about the inevitability of destruction.
