Musquiqui Chihying at the Ullens Center for Contemporary Art
Based on global fears of Chinese neo-colonialism, Chihying examined how this would influence the reception of African art.
Based on global fears of Chinese neo-colonialism, Chihying examined how this would influence the reception of African art.
His works stimulate viewers to observe in stillness, to sink themselves into dense layers of paints.
Chow magically transforms his ink paintings into understated, geometric compositions.
Constructing a cross-cultural and -generational conversation between two artists exploring gender and the female experience.
The double-solo exhibit of Mao Haonan and Hsiung Cheng-Kai, is a rare spectacle.
final exhibition of the two-part series shifted its focus to the diverse directions that newer artists are taking.
The connection of the health of the individual and the wellbeing of the collective, colonized body was one among the fascinating questions posed.
Their interdisciplinary practice ranges from art installations to graphic design, public lectures and extensive publications.