Highlights from the first Diriyah Contemporary Art Biennale.
Excavating peripheral memories onto provocatively tactile surfaces.
A focused narrative of human subjugation to corporate algorithms.
A commentary on “the human” as a hegemonic category.
Exploring the notion of motherland in relationship with superdiversity.
Listening to the testimonies of an “earwitness” and a man who can recall his past life.
A visually symphonic installation.
Probing matter, gravity, space, and uncertainty.
Furthering the artist’s exploration of perception through the transposition of form.