“Immaterial Frontiers”
Chronicling fleeting transitions that reject
Chronicling fleeting transitions that reject
An interpretation of Dagestani culture and a challenge to it.
Reuniting hope to make a world a better place.
Remapping old Saigon in her recent exhibitions.
Coding the essential data of life within an infinite loop of dystopian dialogue.
Presenting an artistic conversation in the story of the chance encounter in 1930s China.
Spanning the artist’s career with excerpts from some of her most recognizable projects displayed in loosely chronological order.
Home, myth, identity – three artists tackled such notions in relation to their native land of Singapore.
An intimate view into the artist