An excavation of the ways structures are constructed in the global imaginary.
A sampling of global art practices during the 1960s and
Exploring Behjat Sadr’s incessant relocation from Italy, Tehran and Paris.
Utopia is a place of interconnection, with the lines between public and private realms blurred and fluid.
Freedom is attained through discipline. Only rarely does the artist permit a spontaneous line to leap free.
Minimal yet expressive, decorative and conceptual.
An inaugural exhibition of 51 works by a variety of artists from Iran.
The artist attempts to unravel the mystery of the four letters through the constellations over Abbasid-era Baghdad.