• Shows
  • May 23, 2025

Shows to See in Beijing, May 2025

Returning for its 9th edition, Gallery Weekend Beijing (May 23–Jun 1) opens today with the inaugural “Beijing Art Season,” bringing together an extended coalition of Beijing-based art and cultural organizations including Beijing Dangdai (May 22–25) and ART021 Beijing (May 22–25). As the capital continues to assert its unique cultural identity, institutions and galleries across the city have put on ambitious programs to coincide with the city's biggest fair week. From major exhibitions at UCCA Beijing and Red Brick Art Museum to notable presentations at local galleries, here are our picks for shows to see this weekend in Beijing.

Installation view of ANICKA YI’s "There Exists Another Evolution, But In This One," at UCCA Center for Contemporary Art, Beijing, 2025. Courtesy UCCA.

UCCA Beijing
Anicka Yi
There Exists Another Evolution, But In This One
Mar 22–Jun 15

Co-organized by Seoul's Leeum Museum of Art and UCCA Center for Contemporary Art, Beijing, “There Exists Another Evolution, But In This One” is New York-based, Korean American artist Anicka Yi’s most extensive museum presentation in Asia. For over a decade, Yi has investigated how biopolitics shape sensory experiences with works that interrogate the boundary between organisms and artifacts. Grounded in rigorous multidisciplinary research, Yi’s practice probes how humans evolve, create, and coexist in an era where artificial intelligence harbors both hope and anxiety. Concurrently, UCCA is hosting two solo exhibitions by Chinese artists Chen Ke and Liao Fei, focusing respectively on the oft-overlooked contributions of female Bauhaus artists and materiality through multimedia sculptures.

Installation view of CHIHARU SHIOTA’s Rooted Memories, 2025, red rope, boat, earth, dimensions variable, at the Red Brick Art Museum, Beijing, 2025. Courtesy Red Brick Art Museum.

Red Brick Art Museum
Chiharu Shiota
Silent Emptiness
Mar 23–Aug 31

A major solo exhibition by Japanese artist Chiharu Shiota is currently on view at Red Brick Art Museum, featuring a series of newly commissioned site-specific installations that resonate with the museum’s architecture, as well as manuscripts that blend Eastern philosophy's concept of “emptiness” with locally sourced materials. Opening with Shiota’s video installation Still from Bathroom (1999), the exhibition culminates in Gateway to Silence (2025), which a mass of red threads engulfing a Tibetan Buddhist door frame. The immersive exhibition is a tangible meditation on “emptiness” and a reflection on Shiota’s deepening exploration of “the presence in absence.”

OLAF HOCHHERZ and CHEN BOLIAN, Performance Through Twenty Alpha, 2018, performance, at the Inside-Out Art Museum, Beijing, 2025. Photo by Edward Sanderson. Courtesy Inside-Out Art Museum.

Inside-Out Art Museum
It Always Sounds Somewhere: Sounding Sound Practice in Chinese Mainland and Hong Kong Since the 1990s
Feb 22–Jun 1

Curated by Hong Kong-based art critic and sound art researcher Edward Sanderson, “It Always Sounds Somewhere” traces the evolution of sound art in China and Hong Kong over two decades of drastic societal shifts through archival documents such as photographs, design drafts, and websites. The exhibition presents the work and experiments of more than 60 artists collected from a variety of unlikely spaces—including underground subways, air-raid shelters, barber shops, living rooms, and virtual platforms.

Installation view of LIAO WEN’s Trust Fall, 2023-25, mixed-media installation, dimensions variable, at the MACA Art Center, Beijing, 2025. Photo by Yang Hao. Courtesy the artist and MACA Art Center.

MACA Art Center
Liao Wen
Trust Fall
&

Dan Er
Greetings
Mar 22–Jun 15

MACA Art Center presents Chinese artist Liao Wen’s debut institutional solo show, featuring new sculptures and the interactive site-specific installation Trust Fall (2023–25), which explores the dynamics of fear and trust. Drawing on her background in puppet-making and performance, as well as recent personal experiences of relocation, Liao interrogates themes of social order, alienation, and disciplinary power. Also on view is a solo exhibition of Chinese artist Dan Er, whose work questions historical and “dialectal” shifts in visual languages through various cultural expressions and materials.

Installation view of EVELYN TAOCHENG WANG and XINYI CHENG’s "Between The Shadow and The Highlight" at Antenna Space, Beijing, 2025. Courtesy Antenna Space.

Antenna Space
Wang Evelyn Taocheng & Xinyi Cheng
Between the Shadow and the Highlight
May 10–Jun 15

Presented by Shanghai-based gallery Antenna Space, the duo exhibition “Between the Shadow and the Highlight” features new works by two diasporic Chinese artists, Xinyi Cheng and Evelyn Taocheng Wang, in a decommissioned space in Beijing’s 798 district. Rooted in 20th-century Chinese academic formalism while critically engaging with Western contemporary art movements, both artists’ work explores quotidian ephemera through intimate visual storytelling, transforming everyday observations into mediations on cultural identity.

Installation view of GUO CHENG’s "Bug" at Magician Space, Beijing, 2025. Courtesy Magician Space.

Magician Space
Guo Cheng
Bug
May 1–Jun 21

For his new exhibition “Bug” at Magician Space, Shanghai-based artist Guo Cheng harkens back to the first “bug” in computing history in 1947, when operators discovered a moth trapped between the relay contacts of a computer during a system malfunction. In the exhibition, Guo presents two distinct yet interconnected spaces: an uncanny data center and a peculiar outdoor field. Viewers moving through these spaces—separated by a wall but connected through a window—experience the dissolving boundaries between the natural and digital realms. As reimagined by Guo, the “bug” represents not just a technical glitch but also a living entity navigating an entangled spectrum of life.

YAO QINGMEI, Room (1) Wrap, 2022-23, still image of single-channel 2K video, color, sound: 16 min 46 sec. Courtesy the artist.

ShanghART Beijing
Cao Shu, Yao Qingmei, and Yin Yunya
Lie Between
May 20–Jun 29

ShanghART Beijing presents “Lie Between,” a group exhibition showcasing videos and installations by Chinese artists Cao Shu, Yao Qingmei, and Yin Yunya. Through spatial and temporal reconstruction, the artists’ multimedia interventions examine the complexities of contemporary social experience. Employing a variety of media, their work interrogates the dialectical tensions between individual and collective identities, alienation and connection, revealing the nuanced entanglements of social existence under late capitalism.

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