Editor's Letter
Reports
- One on One: Maiko Jinushi on Dumb Type By Maiko Jinushi
- Main News: Major Festivals Ban Pro-Palestinian Art By Annette Meier
- News Roundup: Career Moves, Infrastructure, Controversies By The Editors
- The Point: Staging Collectivism: A Good Idea, Poorly Executed By Mitha Budhyarto
- Whispering Gallery: Digging for Gold By DT
- Art Fair Report: Forging Ahead By Louis Lu
- Previews: New Histories By The Editors
- Dispatch: Seoul By Andy St. Louis
- 142 News Roundup: Awards and Obituaries By The Editors
Essays
Profiles
- New Currents: Dan Zhu By Annabel Preston
- New Currents: Leehaiminsun By Annabel Preston
- New Currents: Wang Yuyu By Annette Meier
- Alan Lo: Cultural Catalyst By Elaine W. Ng
- Park Myung-ja: Korean Trailblazer By Richard Vine
Features
- Up Close: Mark Bradford By Oliver Clasper
- Inside Burger Collection: Jon Kessler By Larissa Kikol
- Maria Taniguchi: An Art of Reiteration By Junni Chen
- Yasumasa Morimura: Through the Looking Glass By Louis Lu
- Up Close: Adrián Villar Rojas By HG Masters
- Up Close: Angelica Mesiti By HG Masters
Reviews
- Sydney: Julie Mehretu: A Transcore of the Radical Imaginatory By Yvonne Wang
- Book Review: Born from the Same Root By Annette Meier
- Beijing: Trevor Yeung: Not a Fighter, But a Lover By Joyce Wong
- Book Review: Feint of Heart: Art Writings, 1982–2002 By Oliver Clasper
- Book Review: Art In Hong Kong By HG Masters
- Busan Biennale 2024: Seeing in the Dark By HG Masters
- Mumbai: Prabhavathi Meppayil By Mario D’Souza
- Milan: Saodat Ismailova: A Seed Under Our Tongue By Béatrice Grenier
- Doha: MANZAR: Art and Architecture from Pakistan 1940s to Today By Arthur Debsi
- Shanghai: Rindon Johnson: Best Synthetic Answer By Louis Lu
- Manila: MM Yu: Either/Or By Chesca Santiago
- Bangkok Art Biennale: Nurture Gaia By Leonor Veiga
- London: The Imaginary Institution of India: Art 1975–1998 By Deeksha Nath
