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Editor's Letter
Close Encounters
By Elaine W. Ng
Reports
DISPATCH: Brisbane
By Simon Wright
THE POINT: Digital Museums
By Eve Tam
FINE PRINT: Art Law Self-Help
By Antony Dapiran
ONE ON ONE: Melati Suryodarmo on Boris Nieslony
By Melati Suryodarmo
Essays
The Long Shadow
By HG Masters
A Place at the Table
By Arthur Solway
Profiles
Eugene Tan: Prime Mover
By Sylvia Tsai
Del Kathryn Barton: Disco Darling
By Michael Young
Tsherin Sherpa: Breaking Tradition
By Hanae Ko
Aarnout Helb: How the Yellow Cow Found its Green Box
By Chin-Chin Yap
Features
Entangled Tensions: Self, Society and Identity in the Work of Three Bangladeshi Women Artists
By Melia Belli Bose
Inside Burger Collection: Hidden to Be Found or Hidden to Be Forgotten, An Answer by Pierre Bismuth
By Thorsten Albertz, Pierre Bismuth
Dane Mitchell: Placebo Affectation
By HG Masters
Nicholas Mangan: Radiant Times
By Pedro de Almeida
Li Shan: The Nameless Painter
By Denise Chu
Reviews
Istanbul: 14th Istanbul Biennial
By HG Masters
Taipei: Tu Wei
By Lilly Lampe
Shanghai: Chen Zhen: Without going to New York and Paris, Life could be Internationalized
By Emma O'Neill
Singapore: Cheo Chai-Hiang
By Marybeth Stock
New Delhi: Constructs/Constructions
By Meenakshi Thirukode
Berlin: Nezake Ekici
By Clara Tang
Milan: Jing Shen: The Act of Painting in Contemporary China
By Alessandra Alliata Nobili
Castellón: Lee Bul
By Rebecca Close
New York: Crow's Eye View: The Korean Peninsula
By Diana Seo Hyung Lee
Los Angeles: Aki Sasamoto
By Jennifer S. Li
BOOK REVIEWS: Chinese Posing
By Don J. Cohn
Tokyo: Dinh Q. Lê
By David Frazier
Sydney: Rosemary Laing
By Rachel Kent
Seoul: Seung-taek Lee
By Joo Han
Manila: Jose Luis Singson
By Jennifer Baum Lagdameo
Hong Kong: A Legacy of Ink: Lui Shou-kwan 40 Years On
By Olivia Wang
Where I Work
Shirazeh Houshiary
By Simon Frank
The Sketch
Au Hoi Lam
By