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Editor's Letter
The World According to Venice
By Elaine W. Ng
Reports
DISPATCH: Chiang Mai
By
THE POINT: (Art)space Exploration
By Catherine Levene
ONE ON ONE: Koki Tanaka on Félix González-Torres
By Koki Tanaka
Essays
Singing Without Music
By Ahmed Mater
Beyond Safe
By Kevin Jones
Profiles
Sheikha Hoor Bint Sultan al-Qasimi
By Kevin Jones
Patrick D. Flores
By Sylvia Tsai
Robert Leonard
By Denise Tsui
Sook-kyung Lee
By Denise Chu
Sunil Hirani
By Siobhan Bent
Features
Polit-Sheer-Form: Hard Day's Night
By Ingrid Dudek
An Interview with Charles Lim and Shabbir Hussain Mustafa: Navigating the Museum
By
Nevin Aladağ: Scene from the Street
By HG Masters
INSIDE BURGER COLLECTION: Encounters with Khoj
By
Japanese-Brazilian Modernists: Nipo-Tropicália
By Inti Guerrero
Reviews
Berlin: Mounira al-Solh
By Kenichi Kondo
London: Danh Vo
By Nicole Ching
Istanbul: Semiha Berksoy: Wall of Hallucination
By HG Masters
New Delhi: National Gallery of Modern Art
By Deeksha Nath
Brisbane: Hito Steyerl
By Cassandra Lehman-Schultz
Seoul: Haegue Yang
By Jayoon Choi
Taipei: Chen Shun-chu
By David Frazier
Shanghai: Mark Bradford
By Angela Lam
Hong Kong: Kacey Wong
By Sylvia Tsai
Singapore: Winner Jumalon
By Marlyne Sahakian
Singapore: Ding Yi
By Marybeth Stock
Sharjah Biennial 12
By HG Masters
New York: Susan Te Kahurangi King
By Paul Laster
San Francisco: The Way Things Go
By Hanae Ko
BOOK REVIEWS: Disruptor with a Smile
By HG Masters
Tokyo: Kishio Suga, “Situated Latency”
By Jessica Jane Howard
Where I Work
Frog King Kwok Mang-ho
By Siobhan Bent
The Sketch
THE SKETCH: Tomoo Gokita
By The Editors