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Editor's Letter
How I Learned to Stop Worrying and Love Art
By Elaine W. Ng
Reports
ONE ON ONE: Heman Chong on Young-Hae Chang Heavy Industries
By Heman Chong
DISPATCH: Lahore
By Ambereen Karamat
THE POINT: No, But Seriously
By Jonathon Keats
PREVIEWS: National Alternatives
By The Editors
NEW CURRENTS: Yao Chung-han, Pratchaya Phinthong, Angki Purbandono
By The Editors
Essays
PERSPECTIVE: Biennials and Infrastructure Shift – Part I
By Terry Smith
PROJECT: My Second Life in Tibet
By Arahmaiani Feisal
SURVEY: Healing the Wounds
By Jane Ingram Allen
CASE STUDY: Prison Breaks
By Chin-Chin Yap
Profiles
Sultan Sooud al-Qassemi
By Isabella E. Hughes
Simon & Catriona Mordant
By Michael Young
Features
Rania Stephan: Life on Screen
By Elisabeth Stoney
Xijing Men: The Capital of Absurdia
By Olivier Krischer
Vahap Avşar: (Re)Circulation Problems
By HG Masters
Trippple Nippples: I Like I Like I Like I Like . . . To Freakout
By David Frazier
Reviews
Hong Kong: Why Do Trees Grow Till the End?
By Kathy Zhang
New York: Fu Baoshi
By Don J. Cohn
Sydney: He Xiangyu
By Rachel Kent
Seoul: Kim Eull
By Jayoon Choi
Tokyo: Atsuko Tanaka
By Anneke Jaspers
Taipei: Chim↑Pom
By David Frazier
Manila: Alice and Lucinda
By Susan Gibb
Kolkata: Sakti Burman
By Rita Bhimani
Sharjah: Migrasophia
By Alexandra MacGilp
Amsterdam: Meiro Koizumi
By Elisabeth Stoney
London: Michael Joo
By Ho Rui An
BOOK REVIEWS: Dealing with Money and Friends
By Don J. Cohn
Los Angeles: Requiem for the Sun
By Gabriel Ritter
Istanbul: Orhan Pamuk
By HG Masters
Where I Work
Song-Ming Ang
By Don J. Cohn
Commentary
FINE PRINT: Co-Investing in Art
By Enrique Liberman
QUESTIONNAIRE: Janet Laurence
By