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Editor's Letter
See No Evil, Hear No Evil, Speak No Evil
By Elaine W. Ng
Reports
QUESTIONNAIRE: Nalini Malani
By
ONE ON ONE: Ahmet Öğüt on Tunç Ali Ćam
By
DISPATCH: Hong Kong
By Tobias Berger
AUCTION REPORT: Slow and Solid
By
ART FAIR REPORT: Springing into Action
By
THE POINT: Microblogging in China
By Ai Weiwei
PREVIEWS: All in This Together
By
NEW CURRENTS: John Clang, Tiffany Singh, Ali Taptık
By
THE LAST WORD: Concrete Ambitions
By Paul Serfaty
Essays
ARCHIVE: Progress, Piety and Mess
By Joe Martin Lin-Hill
RECAP: Restoring Trust
By John Jervis
CASE STUDY: Devastating History
By Chin-Chin Yap
PERSPECTIVE: Dancing Dragon
By Kathy Zhang
Profiles
Stuart Ringholt: A Naked Truth
By Michael Young
Do-Ho Suh: The Poetics of Space
By Jayoon Choi
Rudy Tseng: Executive Producer
By Elaine W. Ng
Lamya Gargash: Emirati Estrangements
By Alexandra MacGilp
Features
Gordon Bennett: Fields of Disturbance
By Olivier Krischer
Kim Beom: Open the Most With the Least
By Han Keum Hyun
Jananne al-Ani: Disembodied Perspective
By HG Masters
Michael Rakowitz: The Sweet and Bitter Road
By Hanae Ko
Reviews
Milan: Latitudes. Encounter with the Philippines. Part II
By Alessandra Alliata Nobili
Colombo: 2012 Colombo Art Biennale
By Josephine Breese
Melbourne: Ranjani Shettar
By Rachel Kent
Taipei: Xu Bing
By David Frazier
Beijing: Starting
By Iona Whittaker
Hong Kong: M+ Bamboo Theatre Exhibition
By Kathy Zhang
New Delhi: Elephant in the Dark
By Jyoti Dhar
Beirut: Marwan Rechmaoui
By Maha Majzoub
Istanbul: Burak Delier
By HG Masters
Berlin: Ryoji Ikeda
By Don J. Cohn
London: Zarina Bhimji
By John Jervis
New York: The Ungovernables
By Hanae Ko
Los Angeles: Ming Wong
By Jennifer S. Li
BOOK REVIEW: Yayoi Kusama
By Don J. Cohn
San Francisco: Claire Healy & Sean Cordeiro
By Jessica C. Kraft
Where I Work
Sopheap Pich
By Elaine W. Ng