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Editor's Letter
Slow Art Movement?
By Elaine W. Ng
Reports
WISH YOU WERE HERE: From Lahore, Pakistan
By
IDEAS ON A NAPKIN: Anna Sew Hoy
By
QUESTIONNAIRE: Simon Fujuwara
By
MY EIGHT: Alfredo & Isabel Aquilizan
By
NEWS: Kobe
By Irina Makarova
NEWS: Singapore
By Ho Rui An
NEWS: R0und Up
By William Pym
AUCTION REPORT: Stockpiling The Past For The Future?
By The Editors
ART FAIR REPORT: Comfort Zone
By The Editors
THE LAST WORD: That Familiar Feeling
By William Pym
THE POINT: Shall We Shake On It?
By Andy Cohen
Essays
A State Of Perpetual Becoming
By Jina Valentine
Prophetic Pictures
By Hanae Ko
The Immortality IPO
By Chin-Chin Yap
An Unexpected Oracle
By Gregory Galligan
Profiles
Massimiliano Gioni: Image Overload
By Hanae Ko
Belief & Trust
By Jennifer S. Li
All Cast To Center Stage
By Angie Baecker
The Art Of Materiality In A Pixelated World
By Darryl Wee
Two Years
By David Frazier
Features
Muratbek Djumaliev & Gulnara Kasmalieva: The Camera Rolls as the Terrain Shifts
By William Pym
Apichatpong Weerasethaku: Agrarian Reincarnations Of Cinema
By HG Masters
Taiwanese Minimalism: The Fundamentals Of, Point, Line, Area
By David Frazier
Daido Moriyama: Out of the Darkness
By Ashley Rawlings
MF Husain: Faced with Promise and Protest
By Siddharta V. Shah
Reviews
Philadelphia: Ai Weiwei
By Garth Clark
BOOK REVIEW: Calling It As You See It
By Don J. Cohn
London: Bharti Kher
By Sara Raza
Sydney: The Beauty of Distance
By Cameron Allan McKean
Beijing: Mo Yi
By Angie Baecker
Hong Kong: Simon Birch
By Han Yan Yuen
Singapore: FX Harsono
By Amanda Lai
Bangkok: Pinaree Sanpitak
By Gregory Galligan
Mumbai: Avantika Bawa
By Zehra Jumabhoy
Dubai: Fahd Burki
By Murtaza Vali
Abu Dhabi: Disorientation II
By HG Masters
Chicago: Gao Lei
By Jason Lazarus
Almagul Menlibayeva
By Yulia Tikhonova