Editor's Letter
Reports
- NEWS: Wellington By John Di Stefano
- NEWS: San Francisco By Jessica Kraft
- ART FAIR REPORT: A Caravan of White Cubes By The Editors
- NEWS: Obituary: Kazuo Shiraga (1924–2008) By Eric C. Shiner and Reiko Tomii
- THE POINT: Origins of the Chinese Avant-Garde By Barbara Pollack
- BEHIND THE WALLS: Sundaram Tagore: The Business of Cultural Diplomacy By Ian Driscoll
- STATE OF THE ART: Over the Tanggula Pass: Liu Xiaodong's Paintings of Tibet By Tenzing Rigdol
- AUCTION REPORT: Correction, Not a Correction By Don J. Cohn
- ONE ON ONE: Lance Fung: Collective Wisdom By The Editors
- ONE ON ONE: Sam Keller: From Miami Beach to Mumbai By Mallika Advani
Profiles
- Sharmini Pereira: Art Books as Artworks By Eliza Gluckman
- Frank Cohen: Do-It-Yourself By Elaine W. Ng
Features
- Architecture in Script: From Without Boundary to Archive Fever By Gregory Galligan
- Text Appeal: Australasian Text in Images By George Alexander
- Young-Hae Chang Heavy Industries: Flash-Flood By Lauren Cornell
- Yoko Ono: The Artist In Her Unfinished Avant-Garden By HG Masters
- Stream of Consciousness: Tsang Kin-Wah By Andrew Maerkle
- Square Words, Round Paradigms: Contemporary Calligraphy in China By Eric Wear
Reviews
- Naples: Footprints into the Future By Luigi Fassi
- Bangkok: Brand New By Brian Mertens
- Mumbai: Praneet Soi By Beth Citron
- New Plymouth: Activating Korea: Tides of Collection Action By John Di Stefano
- Sydney: Sean Cordeiro and Claire Healy By Gina Fairley
- Tokyo: Tadashi Kawamata By Kayo Machino
- Antwerp: Santhal Family: Positions Around an Indian Sculpture By Hammad Nasar
- London: Good Morning, Mr. Nam June Paik! By Eliza Gluckman
- New York: Xu Zhen: Just Did It By HG Masters
- San Francisco: Zhan Wang By Jessica Kraft
- BOOK REVIEW: Modernism Alive and Well By Bryony Roberts
- Shanghai: Qiu Anxiong By Rebecca Catching
- Bern: Horn Please: Narratives in Contemporary Indian Art By Juan Guardiola
