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ArtAsiaPacific
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中文
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Reports
In-between discourses: Alternative art spaces in Tokyo
By Larissa Hjorth
Essays
Vong Phaophanit
By Claire Oboussier
Eating their words : A Filipino Narrative
By Ana P. Labrador
Suspended in ambivaence: The installations of Seong Chun
By Joan Kee
Subaltern Writing: Tsang Tsou Choi: The King of Kowloon
By David Clarke
Valuing Asia: Wong Hoy Cheong’s quest for a postcolonial visual vocabulary
By Sumit Mandal
warrior girl: Kate Beynon’s tussle with language
By Stuart Koop
Sleight of Hand: The Use Of Text In Contemporary Chinese Art
By Melissa Chiu
Reviews
Picnic in an art garden: The 2000 Kwangju Biennale
By Robert J. Fouser
Korean American views: On exile, travel and unbelonging
By Doryun Chong
Shifting Perceptions: Contemporary LA Visions
By Collette Chattopadhyay
A complex prism: Indigenous influences in Australian art
By Ashley Carruthers
Text and subtext
By
Ed Pien
By Jen Budney
AWAS!
By D.J. Huppatz
Aniwar Mamat
By Bruce Doar
Critical response
By Benjamin Genocchio
Helen Geier
By Kanchan Chander
Zhang Huan
By Jonathan Goodman
Tadashi Kawamata
By Stephen Horne
Shahzia Sikander
By Jonathan Goodman
Yoshitomo Nara
By Collette Chattopadhyay
TV Buddha, video fish: The worlds of Nam June Paik
By Jonathan Goodman
Turning to the everyday: Land/mind/body-scapes in Tokyo
By Edan Corkill