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Market
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中文
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Reports
Open and everywhere: Chinese artists at the Venice Biennale
By Francesca Dal Lago
Different Totems: David Neel on the Grand Canal
By Paula Gustafson
Gap Viet Nam: A Vietnamese Encounter in Berlin
By Birgit Hussfeld
Out of Order: KAKA-: extended d(I)versions from manila and california
By Ana P. Labrador
Unveiled Reality
By Paula Gustafson
Knalpot: The sound of Indonesian voices
By M. Dwi Marianto
The First Steps: Emerging Artists from Japan
By Jonathan Goodman
A Question of Balance: Japan and Korea at the 48th Venice Biennale
By Toshio Shimizu
Essays
The City, Art and the Garden
By Fumihiro Nonomura
City of Make Believe: Post Handover Monuments in Hong Kong
By Oscar Ho Hing-kay
Representation as Detour: Three Anecdotes about Singapore Art
By Lee Weng Choy
Cities on the Move: A dialogue between curators and artists
By Hou Hanru, Hans-Ulrich Obrist
Discourse and Displacement: Contemplating Beijing's urban landscape
By Xiaoping Lin
Staging Controlled Chaos: An interview with Tomoko Takahashi
By Robert Preece
Of Commodities and Kings: Tang Da Wu's serious play with psycho-geography and public memory
By Lucy Davis
Reviews
Katsuya Komagata
By Collette Chattopadhyay
Mathias Kauage
By Victoria Hynes
Soonja Oh Kim: Figuration
By Collette Chattopadhyay
Anju Dodiya
By M.A. Greenstein
Going underground: The Corruptionists
By Julian Scarff
Zhang Peili: Eating
By Mathieu Borysevicz
Vinod Dave: Reflections on Indian Popular Culture
By Karin Miller-Lewis
Outside the Real: A New Form of Video Art in China
By Courtney Kidd
Commentary
A Response from Singapore Art Museum
By Suenne Megan Tan