Editor's Letter
Reports
- New Currents: Lê Hien Minh By Peter Chung
- New Currents: April Lin 林森 By Nicole M. Nepomuceno
- The Point: Self-organize and Self-educate By Liang Jianhua
- Previews: 59th Venice Biennale By The Editors
- Taiwan Terminates Venice Biennale Plans Mired By Sexual Assault Allegations By The Editors
- One on One: Enoch Cheng on Michaela Coel By Enoch Cheng
- Tribute: Etel Adnan, Lifelong Passion By Rayya Badran
- Tribute: Hossein Valamanesh, Following a Path of Love By Rhana Devenport
- Dispatch: Brunei By OSVEANNE OSMAN AND AQILAH ALI
- News Roundup 127: Awards, Obituaries, Controversy, Career Moves, Public Domain By The Editors
- New Currents: Atsuko Mochida By Pamela Wong
Essays
Profiles
- Barış Doğrusöz: Lamenting the Ruins By HG Masters
- Sin Wai Kin: Self, World, Universe By Tiffany Leung
Features
- Up Close: Young-Hae Chang Heavy Industries, Yuko Mohri, Breakwater By The Editors
- Kidlat Tahimik: History Through the Bamboo Camera By Portia Placino
- Inside Burger Collection: Cao Fei By Johannes Hoerning
- Simon Fujiwara: All the World’s a Cartoon By Frances Arnold
Reviews
- Singapore: Guo-Liang Tan By Lynda Tay
- New Delhi: Kartik Sood By Kamayani Sharma
- Dubai: Manal AlDowayan By Ruba Al-Sweel
- Istanbul: Candeğer Furtun By Bala Gürcan
- Cambridge: Sutapa Biswas By Suining Sim
- Hanan Toukan's The Politics of Art By Ophelia Lai
- New York: Wifredo Lam By Emily Chun
- Washington, DC: Hung Liu By Ariana Heffner
- Godzilla: Asian American Arts Network 1990–2001 By Alex Jen
- Chicago: Basel Abbas and Ruanne Abou-Rahme By Noah Hanna
- Taichung: 2021 Asian Art Biennial By Christopher Whitfield
- Brisbane: 10th Asia Pacific Triennial By Zali Matthews
- Manila: Cast But One Shadow By Portia Placino
- Berlin: Thea Djordjadze By Frances Arnold
- Art and its Worlds: Exhibitions, Institutions and Art Becoming Public By HG Masters
