Editor's Letter
Reports
- Auction Report: Lucrative Collaborations By The Editors
- 125 New Currents: Swapping Sides By The Editors
- One on One: Mark Salvatus on Alfredo and Isabel Aquilizan By Mark Salvatus
- Dispatch: Seattle: The New Dis-Normal By Robert Rhee
- 125 News Sections: Controversy, Career Moves, Public Domain, Awards, Obituaries By The Editors
- 125 Main News: Missing Artworks Raise Accountability Issues at Japanese Museum By The Editors
- Fine Print: A Proposed Artist’s Contract for NFTs By Yayoi Shionoiri & Ryan Su
- The Point: Relooking for Relevance By Yi Cao
- 125 Previews: Subversive Play By The Editors
Profiles
Features
- Ancestral Sisterhoods of the Deep Sea and Outer Space: An Interview with Zadie Xa By Chloe Chu
- Inside Burger Collection 41: Lee Ufan: Thinker of the Present By Jean-Marie Gallais
- Up Close: Pinar Öğrenci̇ By Ophelia Lai
- 125 Up Close: Liu Yin By Cassie Liu
- What History Calls For: An Interview with Gala Porras-Kim By Cleo Roberts-Komireddi
- 125 Up Close: Shuruq Harb By The Editors
Reviews
- Tokyo: Another Energy: Power to Continue Challenging – 16 Women Artists from around the World By Maki Nishida
- Manila: Joebau: Throw Hide & Twist By John Alexis Balaguer
- Gadigal Country, Sydney: Richard Bell By Johanna Bear
- Beijing: Cao Yu: Passing Through the Human World By Hutch Wilco
- Milan: Simon Fujiwara: Who the Baer By Alessandra Alliata Nobili
- New York: An-My Lê: đô-mi-nô By Emily Chun
- Hong Kong: Extended Figure: The Art and Inspiration of Lalan By Cassie Liu
- Singapore: Something New Must Turn Up By Louis Ho
- Seoul: Chung Sang Hwa By Taeyi Kim
- Shanghai: Zhao Yang: Godlike Rage By Hutch Wilco
- Book Reviews: Models for the Future By Pamela Wong, HG Masters, Chloe Chu
- London: Yu Ji: Wasted Mud By Christopher Whitfield
- Paris: Bagyi Aung Soe By Béatrice Grenier
