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Editor's Letter
Shape-shifting
By Elaine W. Ng
Reports
The Point: Mobility, Racialized
By Christopher K. Ho
One on One: Dan Graham
By Trevor Shimizu
Whispering Gallery: Climate Change
By DT
Auction Report: A Shaky Comeback
By The Editors
Art Fair Report: The Real Deal
By The Editors
Previews: In Retrospect
By The Editors
Dispatch: São Paulo, Countermovements
By Raphael Fonseca
New Currents: Beyond Recognition
By The Editors
124 News Sections
By The Editors
Main News: Cultural Solidarity for Palestinians Surge After Israeli Attacks
By The Editors
Essays
Owned by Others
By Clara Tang
Profiles
Pao Houa Her: Pulling Back the Curtain
By Sheila Regan
Miti Ruangkritya: Signs of Transition
By Chloe Chu
Aki Inomata: The Ingenuity of Nature
By Ophelia Lai
Features
Mutter, Ich Bin Dumm!: Biography as Fiction in Evelyn Taocheng Wang’s “Reflection Paper”
By Hendrik Folkerts
Up Close: Jes Fan, Zhao Zhao, Deniz Gül
By The Editors
Carl Cheng: Research and Development
By HG Masters
Inside Burger Collection: Take Me Away
By Kimberly Bradley
Reviews
Ben Sakoguchi: “Chinatown”
By Jennifer S. Li
13th Shanghai Biennale: “Bodies of Water”
By Hutch Wilco
Taloi Havini: “The Soul Expanding Ocean #1”
By Alessandra Alliata Nobili
Etel Adnan: “Impossible Homecoming”
By Matt Hanson
David Adjaye and Adam Pendleton
By Ophelia Lai
Yhonnie Scarce: “Missile Park”
By Michaela Bear
13th Gwangju Biennale: “Minds Rising, Spirits Turning”
By Andy St. Louis
Seher Shah: “When Words Disappear into Trees”
By Ruba Al-Sweel
Rana Begum
By Amy Luo
Book Review: Rousing Revivals
By Chloe Chu, Pamela Wong, HG Masters
Dominique Fung: “It’s Not Polite to Stare”
By Emily Chun
Manbo Key: “Father’s Video Tapes_Avoid A Void”
By Christopher Whitfield
Where I Work
Aaajiao: A Berlin Portal to a Global Cyber Studio
By Frances Arnold
The Sketch
Disputed Ownership
By Gala Porras-Kim