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Editor's Letter
Practices of Realignment
By Elaine W. Ng
Reports
TRIBUTE: Picture Window with Two Chairs
By OLGA VISO
DISPATCH: Madrid
By Rebecca Close
THE POINT: To Conceive of the Curriculum of the Forest
By ABHIJAN TOTO AND PUJITA GUHA FOR THE FOREST CURRICULUM
ONE ON ONE: Raja’a Khalid on Kurt Vonnegut
By Raja’a Khalid
Essays
Every Day Earth
By HG Masters
Profiles
Irene Agrivina
By CHABIB DUTA HAPSORO
Tamara Dean
By OPHELIA LAI
Mae-ling Lokko
By LAUREN LONG
Features
MAP Office: Beneath the Concrete, the Ocean
By HG Masters
INSIDE BURGER COLLECTION: Meret Oppenheim: Every Idea Is Born with Its Own Form
By Martina Corgnati
UP CLOSE: Prabhakar Pachpute, Truong Cong Tung, Su Yu Hsin
By HG Masters, Pamela Wong, Lauren Long
Thu Van Tran: The Materiality of Memory
By Chloe chu
Reviews
Yokohama: 7th Yokohama Triennale: “Afterglow”
By Maki Nishida
Sydney: Khaled Sabsabi: A Promise
By VICTORIA SCOTT
Canberra: Xu Zhen: eternity vs evolution
By Soo-Min Shim
Shanghai: More, More, More
By WENDY FANG
Seoul: Koo Jeong A: 2020
By ANDY ST. LOUIS
Hong Kong: Mark Chung: Wheezing
By Ophelia Lai
Hong Kong: My Body Holds Its Shape
By HG MASTERS
Ho Chi Minh City: Hương Ngô: Lost from View
By QUYEN HOANG
Berlin: 11th Berlin Biennale for Contemporary Art: “The Crack Begins Within”
By Mirthe Berentsen
Berlin: A Slightly Curving Place
By Frances Arnold
London: Thao Nguyen Phan: Becoming Alluvium
By Cleo Roberts
Los Angeles: Kaz Oshiro: 96375
By Jennifer S. Li
BOOK REVIEWS: Otherworldly Journeys
By Chloe Chu, Ophelia Lai, Peter Chung
Where I Work
Forms of Wonder in Seasons of Chaos
By Danielle Shang