Editor's Letter
Reports
- Dispatch: Madrid: Mind the gap By Rebecca Close
- The Point: To Conceive of the Curriculum of the Forest By Abhijan Toto and Pujita Guha for the Forest Curriculum
- 121 Main News: Singapore Loses Major Exhibition and Residency Platform By The Editors
- 121 News Roundup: Controversy, Public Domain, Career Moves By The Editors
- 121 Whispering Gallery: Fun for All By DT
- Tribute: Picture Window with Two Chairs: In Memory of Siah Armajani (1939–2020) By Olga Viso
- Auction Report: Back in Business By The Editors
- 121 Previews: Shifting Grounds By The Editors
- New Currents: Tong Wenmin, Mo Kong, Jessika Khazrik By Lauren Long, Ophelia Lai, Chloe Chu
- Art Fair Report: Online Shopping By The Editors
- One on One: Raja’a Khalid on Kurt Vonnegut By Raja’a Khalid
Essays
Profiles
- Tamara Dean: In the Vanishing Wild By OPHELIA LAI
- Irene Agrivina: Interspecies Matchmaking By CHABIB DUTA HAPSORO
- Mae-ling Lokko: Building Blocks for the Future By LAUREN LONG
Features
- Inside Burger Collection 37: Meret Oppenheim: Every Idea Is Born with Its Own Form By Martina Corgnati
- Up Close: Truong Cong Tung By Pamela Wong
- Up Close: Su Yu Hsin By Lauren Long
- Up Close: Prabhakar Pachpute By HG Masters
- Thu Van Tran: The Materiality of Memory By Chloe Chu
- MAP Office: Beneath the Concrete, the Ocean By HG Masters
Reviews
- Yokohama: 7th Yokohama Triennale: “Afterglow” By Maki Nishida
- Sydney: Khaled Sabsabi: A Promise By Victoria Scott
- Canberra: Xu Zhen: eternity vs evolution By Soo-Min Shim
- Shanghai: More, More, More By Wendy Fang
- Seoul: Koo Jeong A: 2020 By Andy St. Louis
- Hong Kong: Mark Chung: Wheezing By Ophelia Lai
- Hong Kong: My Body Holds Its Shape By HG Masters
- Ho Chi Minh City: Hương Ngô: Lost from View By QUYEN HOANG
- Berlin: A Slightly Curving Place By Frances Arnold
- London: Thao Nguyen Phan: Becoming Alluvium By Cleo Roberts
- Los Angeles: Kaz Oshiro: 96375 By Jennifer S. Li
- Book Reviews: Otherworldly Journeys By Chloe Chu, Ophelia Lai, Peter Chung
- Berlin: 11th Berlin Biennale for Contemporary Art: “The Crack Begins Within” By Mirthe Berentsen
