Editor's Letter
Reports
- 119 News Sections: Controversies, Career Moves, Public Domain By The Editors
- The Point: Art as Multispecies Vibrancy By Zheng Bo
- 119 Whispering Gallery: More than Elbows Bumping By DT
- 119 Main News: First Reawakenings Across the Asia Pacific By The Editors
- 119 Previews: Undaunted by Distance By The Editors
- 119 Auction Preview: Feeding Frenzy By The Editors
- One on One: Sung Tieu on Mary Kelly By Sung Tieu
- Dispatch: Amsterdam: Postcolonial Processes By Mirthe Berentsen
- 119 Fine Print: The Ethics and Legality of Deaccessioning in Desperate Times By Ryan Su
- 119 Art Fair Report: The New Normal By The Editors
- 119 New Currents: Hun Kyu Kim, Mak Ying Tung 2, Yen Chun Lin By Lauren Long, Pamela Wong, and Ophelia Lai
Profiles
Features
- Up Close: Byron Kim By Pamela Wong
- Up Close: Andrew Luk By HG Masters
- Memories of Zarina Hashmi By HG Masters and Sarah Burney
- Up Close: Farid Rasulov By Ophelia Lai
- Inside Burger Collection 35: Gregor Hildebrandt: A House Made of Songs By Barry Schwabsky
- Mai-Thu Perret: I Know the Meaning of Revolution By Chloe Chu
Reviews
- Singapore: Robert Zhao Renhui: The Lines We Draw By Marybeth Stock
- Vienna: . . . of bread, wine, cars, security and peace By Brian Haman
- Adelaide: Adelaide Biennial of Australian Art: Monster Theatres By Michaela Bear
- Hong Kong: Garden of Six Seasons By Ophelia Lai
- Kuala Lumpur: The Body Politic and the Body By Beverly Yong
- Seoul: Hwayeon Nam: Mind Stream By Andy St. Louis
- Hong Kong: Jeffrey Shaw: WYSIWYG By HG Masters
- New York: Rayyane Tabet By Tanner Tafelski
- Book Reviews: Art History’s Takeaways By Chloe Chu, HG Masters, Ophelia Lai
- Toronto: Shannon Te Ao: Ka mua, ka muri By Ricky Varghese
- Milan: Trisha Baga: The eye, the eye and the ear By Alessandra Alliata Nobili
The Sketch
