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Editor's Letter
Special Effects
By Elaine W. Ng
Reports
ONE ON ONE: Pio Abad on Leo Valledor
By Pio Abad
Dispatch: Los Angeles
By Danielle Shang
THE POINT: Blockchain: Tree of Potential
By Misha Libman and Andrey Alekhin
Essays
That Was Then
By Antony Dapiran
Double Hatting
By Patricia Chen
Profiles
Mohammed Rashid Al-thani
By Sara Raza
Long Xinru
By Tom Mouna
Seulgi Lee
By Melanie Pocock
Features
Patty Chang: Abject, Exposed and Potent Desires
By Ysabelle Cheung
Amphibian Heroes, Skins, Naive Effects: A CONVERSATION WITH MOCHU
By Lantian Xie
INSIDE BURGER COLLECTION: The Essence of Our Existence
By Astrid Mania
IN DEPTH: Larissa Sansour, Aki Sasamoto, Lin Jingjing and Zeynep Kayan
By HG Masters, Ysabelle Cheung, Chloe Chu, Ophelia Lai
Reviews
Venice: 58th Venice Biennale
By HG Masters
Eindhoven: The Otolith Group
By Rathsaran Sireekan
Sydney: The National 2019
By Grace Huang
Busan: Ha Chong-Hyun
By Ophelia Lai
Seoul: Lee Kun-Yong
By Andy St.Louis
Beijing: China Landscape
By HG Masters
Manila: The Center Will Not Hold
By Alec Madelene Abarro
Hong Kong: Lam Tung Pang: Saan Dung Gei
By Ophelia Lai
Kuwait City: Civil Architecture
By ABDULLAH AL-MUTAIRI
Istanbul: Mike Nelson
By Chloe Chu
Cologne: Nil Yalter
By Brian Haman
London: Motions of This Kind
By Ned Carter Miles
San Jose: Rina Banerjee
By Shona Mei Findlay
Boston: Huma Bhabha
By Phoebe Tam
Los Angeles: The Allure of Matter
By Jennifer S. Li
BOOK REVIEWS: Turning Pages
By Ophelia Lai, Chloe Chu, HG Masters
New York: Simone Fattal
By Mimi Wong
Where I Work
Burçak Bingöl
By Chloe Chu
The Sketch
The Sketch
By The Editors