
Editor's Letter
Reports
- DISPATCH: Hanoi By Do Tuong Linh
- ONE ON ONE: On Kawara By Dane Mitchell
- THE POINT: Gana (Hear, Think, Understand) By Megan Cope
Essays
- We Are Each One An Other By Joyce Wong
- Hopping on a Broken Bandwagon By Reena Devi
- Ladies and Gentlemen of Leisure By Danielle Shang
Profiles
Features
- Anita Dube: Naked and Knife-sharp By Jyoti Dhar
- Young & Emerging: New Digitals By
- INSIDE BURGER COLLECTION: Giving Voice, Forming Body By
- Ma Qiusha: Cutting Through Histories By Tom Mouna
Reviews
- Busan: Busan Biennale By HG Masters
- Gwangju: Gwangju Biennale 2018 By HG Masters
- TarraWarra: TarraWarra Biennial By Eloise Breskvar
- Tokyo: Kunié Sugiura By Maki Nishida
- Shanghai: Cheng Ran By Arthur Solway
- Beijing: Shoji Ueda By Tom Mouna
- Metro Manila: Metropolitan Museum of Manila, Yuchengco Museum and Vargas Museum By
- Jakarta: Indonesia, Spirit of the World By Vera Mey
- Ramallah: Subcontracted Nations By Brady Ng
- New York: the Progressive Revolution: Modern Art for a New India By Mimi Wong
- New York: Tadanori Yokoo By Mimi Wong
- Minneapolis: Siah Armajani By Joobin Bekhrad
- Los Angeles: Tomoo Gokita By Jennifer S. Li
- Hong Kong: A Hollow in a World Too Fulls By Ysabelle Cheung
- BOOK REVIEWS: The Art of Place, the Place of Art By Don J. Cohn
- London: Five Heads (Tavan Tolgoi) – Art, Anthropology and Mongol Futurism By Ned Carter Miles