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Editor's Letter
Us, You, #MeToo
By Elaine W. Ng
Reports
DISPATCH: Hanoi
By Do Tuong Linh
ONE ON ONE: On Kawara
By Dane Mitchell
THE POINT: Gana (Hear, Think, Understand)
By Megan Cope
Essays
We Are Each One An Other
By Joyce Wong
Hopping on a Broken Bandwagon
By Reena Devi
Ladies and Gentlemen of Leisure
By Danielle Shang
Profiles
Dale Harding
By Tim Walsh
Khvay Samnang
By Ophelia Lai
Akiko Yamazaki and Jerry Yang
By Olivia Wang
Features
Anita Dube: Naked and Knife-sharp
By Jyoti Dhar
Young & Emerging: New Digitals
By
INSIDE BURGER COLLECTION: Giving Voice, Forming Body
By
Ma Qiusha: Cutting Through Histories
By Tom Mouna
Reviews
Busan: Busan Biennale
By HG Masters
Gwangju: Gwangju Biennale 2018
By HG Masters
TarraWarra: TarraWarra Biennial
By Eloise Breskvar
Tokyo: Kunié Sugiura
By Maki Nishida
Shanghai: Cheng Ran
By Arthur Solway
Beijing: Shoji Ueda
By Tom Mouna
Metro Manila: Metropolitan Museum of Manila, Yuchengco Museum and Vargas Museum
By
Jakarta: Indonesia, Spirit of the World
By Vera Mey
Ramallah: Subcontracted Nations
By Brady Ng
New York: the Progressive Revolution: Modern Art for a New India
By Mimi Wong
New York: Tadanori Yokoo
By Mimi Wong
Minneapolis: Siah Armajani
By Joobin Bekhrad
Los Angeles: Tomoo Gokita
By Jennifer S. Li
Hong Kong: A Hollow in a World Too Fulls
By Ysabelle Cheung
BOOK REVIEWS: The Art of Place, the Place of Art
By Don J. Cohn
London: Five Heads (Tavan Tolgoi) – Art, Anthropology and Mongol Futurism
By Ned Carter Miles
Where I Work
Izumi Kato
By Chloe Chu
The Sketch
Keiichi Tanaami
By The Editors