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Editor's Letter
Elemental Forces
By Elaine W. Ng
Reports
ONE ON ONE: Brook Andrew on Jimmie Durham
By
DISPATCH: Phnom Penh
By
THE POINT: Navigating Laws and Accessibility in Exhibition Practices
By Christine Sun Kim
FINE PRINT: The Artist Pension Trust and the Price of Trusting Others
By Ryan Su
Essays
Man, Machine or Dragonfly?
By David Frazier
Beyond Infrastructures
By Cleo Roberts
Profiles
Désiré Feuerle
By Ned Carter Miles
Andrew Ruff and Ling Ling Zou
By Arthur Solway
Jam Acuzar
By Josephine V. Roque
Penelope Seidler
By Michael Young
Pakhruddin Sulaiman
By
Douglas So: Decisive Moments
By Chloe Chu
Features
Kwok Mang-Ho: Perpetual Rebel
By Ysabelle Cheung
Young & Emerging: Landscapes Scarred And Renewed
By
Then And Now: A look back through our archives, from 1993 to 2017
By
Inside Burger Collection: The Artist As Mirror Holder
By Ho Siu Kee
Jumana Emil Abboud: Spirits That Possess Homelands
By HG Masters
Reviews
Eindhoven: Rasheed Araeen
By Clara Tang
BOOK REVIEWS: When Worlds Collide
By Brady Ng
Shanghai: Joseph Beuys and Nam June Paik
By Arthur Solway
Los Angeles: Noboru Takayama
By Jennifer S. Li
Art and China After 1989: Theater of the World
By HG Masters
Brisbane: Problem-Wisdom
By Tim Walsh
Sydney: Lisa Reihana
By Michael Young
Taichung: Sixth Asian Art Biennial
By Rikey Cheng
Seoul: Reenacting History
By Elaine W. Ng
Shanghai: Kohei Nawa
By
Beijing: Yin Xiuzhen
By Tom Mouna
Hong Kong: The Weight of Lightness
By Olivia Wang
Singapore: Chen Wei
By Jean Wong
Tbilisi: Artisterium 2017
By Charles Merewether
Beirut: Raed Yassin
By Gökcan Demirkazik
Rome: Home Beirut
By Ana Vukadin
London: Basma Alsharif
By Ned Carter Miles
New York: Ahmed Mater
By Tausif Noor
Jakarta: Jakarta Biennale 2017
By Vera Mey
Where I Work
Jawad al-Malhi
By HG Masters
The Sketch
Hon Chi Fun
By The Editors