Editor's Letter

• Slow Down, Look Closer By Elaine W. Ng

Reports

• ONE ON ONE: Rasheed Araeen on Anthony Caro By Rasheed Araeen
• DISPATCH: Bangkok By Gregory Galligan
• THE POINT: Narrating Syria Through Family-Run Arts Patronage By Shireen Atassi

Essays

• Culture of Reappearance By Antony Dapiran

Profiles

• Ian Holliday By Elaine W. Ng
• Ross Manning By Ellie Buttrose
• Cian Dayrit By Dominic Zinampan

Features

• Rana Begum: Simply Put By Ned Carter Miles
• Kunié Sugiura: Becoming Image By HG Masters
• Zhao Tao: Beyond Geography Lies the Truth By Yung Ma
• INSIDE BURGER COLLECTION: A Plate with Milk By Isa Cossement

Reviews

• Abu Dhabi: But We Cannot See Them: Tracing A UAE Art Community, 1988–2008 By Lesley Ann Gray
• Venice: 57th Venice Biennale By HG Masters
• Sydney: Familiar Stranger By Chloé Wolfson
• Melbourne: Christian Thompson By Sarah Werkmeister
• Beijing: The New Normal By Thomas Mouna
• Dubai: Syria: Into The Light By Brady Ng
• Athens: Documenta 14 By Nooshfar Afnan
• Milan: Liu Xiaodong By Alessandra Alliata Nobili
• Barcelona: Akram Zaatari By Rebecca Close
• New York: Whitney Biennial 2017 By Mostafa Heddaya
• Los Angeles: Young-il Ahn By Jennifer S. Li
• BOOK REVIEWS: Recipes for Looking By Don J. Cohn
• Berlin: 2 Or 3 Tigers By Clara Tang
• London: Lawerence Abu Hamdan By Ned Carter Miles
• New York: Ian Cheung By Mimi Wong
• Hong Kong: Ambiguously Yours By Arthur Tam
• Singapore: Kim Beom By Marybeth Stock

Where I Work

• Firenze Lai By Ysabelle Cheung

The Sketch

• Lamia Joreige By The Editors