• Issue
  • Jul 01, 2022

Yuki Kihara: Trouble in Paradise

Genesis 9:16 (After Gauguin), 2020, Hahnemuhle fine art paper mounted on aluminum, 73.2 × 91.5 cm. Courtesy the artist and Milford Galleries, Dunedin/Queenstown.

To ensure the survival of their species, the dominant male of a school of Tu’u’u-lumane, or the pink skunk clownfish, will change their sex to female. For Yuki Kihara, this phenomenon of the fish’s kinship system debunks the assumptions of heteronormativity in Charles Darwin’s 19th-century theory of evolution. Like the Tu’u’u-lumane native to the Pacific’s coral reefs, Samoans have long perceived and interacted with the world beyond heterosexual binaries, with four culturally recognized genders: fafine (woman), tane (man), fa‘afafine (in the manner of a woman), and fa‘afatama (in the manner of a man), each with a specific familial and communal role. Yet colonial powers, including New Zealand, which controlled the islands from 1914 to 1962, in their effort to shape the culture according to Christian-European values, implemented legislation that criminalizes self-expression and homosexuality. These laws and views continue to impact Samoan society today.


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