• Issue
  • Mar 01, 2024

Proof of Personhood: The Promises and Perils of AI Art

Installation view of CHRISTOPHER KULENDRAN THOMAS and ANNIKA KUHLMANN’s Being Human, 2019-22, painting, sculpture, and single channel video with color and sound: 25 min. Courtesy Singapore Art Museum.

In 1978 the late German artist Joseph Beuys argued in his essay “Appeal for an Alternative” that “the dignity of man stands and falls with the inviolability of the person, and whoever disregards this, steps down from the level of humanity.” Today, many of us feel helpless in the face of persistent war, conflict, and ecological time bombs, as well as the rise of an artificial intelligence that supercharges misinformation and threatens human livelihoods. All of these problems can be considered damaging to “the inviolability of the person,” but arguably none more so than AI, which has instilled a new and unique fear in humankind. The idea of individual agency or of self-preservation now appears increasingly quaint and feeble. 


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