Christine Sun Kim’s solo exhibition “All Day All Night” at the Whitney Museum of American Art in New York resisted the conventions of a midcareer survey. Instead of tracing a career arc, it immersed viewers in a dense spatial and conceptual vocabulary. Comprising 95 works made between 2011 and the present, the show brought together charcoal drawings, murals, video installations, and sculptures, all orbiting a central theme: sound as social currency. Kim, a Berlin-based American artist who is Deaf, confronts how sound can be wielded for power, privilege, and exclusion.