Issue

Manila: Leslie de Chavez

Manila: Leslie de Chavez
Installation view of LESLIE DE CHAVEZ’s The OGs as Christian Virgins Exposed to the Populace (After F.R. Hidalgo), 2024, photo print on archival paper, neon light, found wooden baluster, 56 framed panels, size variable, at "As Judas Receives the Bread from Christ a Small Black Devil is Shown Entering His Mouth & Placebo Paintings," Mo Space, Manila, 2024. Courtesy Mo Space.

As Judas Receives the Bread from Christ a Small Black Devil is Shown Entering His Mouth
MO_Space

Few moments provoke artistic creation like tragedy. The 18th-century Scottish philosopher David Hume was one of the first to point this out, writing that “nothing can furnish to the poet a variety of scenes and incidents and sentiments, except distress, terror, or anxiety.” Alert to the multiple forces that have reduced millions of Filipinos to desperate states of poverty, Manila-born interdisciplinary artist Leslie de Chavez reflected upon the troubled aftermath of colonialism, where unrestrained power and corruption have exacerbated the country’s already tenuous predicament.