Ideas

Untitled Selection: Mohammad Ghazali

Untitled Selection: Mohammad Ghazali
MOHAMMAD GHAZALI, Agha Reza Reza  	Abbasi known as Reza Abbasi, 17th Century Painter, from
MOHAMMAD GHAZALI, Agha Reza Reza Abbasi known as Reza Abbasi, 17th Century Painter, from "Where the Heads of the Renowned Rest". Copyright the artist.
MOHAMMAD GHAZALI, Seyyed Hassan  	Modares, 20th Century Cleric and Politician, from 
MOHAMMAD GHAZALI, Seyyed Hassan Modares, 20th Century Cleric and Politician, from "Where the Heads of the Renowned Rest". Copyright the artist.
MOHAMMAD GHAZALI, Mohammad Ibn  	Zakaria Razi, 10th Century Pholosopher, Physician and Chemist, from “Where the Heads of the Renowned Rest”. Copyright the artist.
MOHAMMAD GHAZALI, Mohammad Ibn Zakaria Razi, 10th Century Pholosopher, Physician and Chemist, from “Where the Heads of the Renowned Rest”. Copyright the artist.
MOHAMMAD GHAZALI, Seyyed Mojtaba  	Mirlohi known as Navvab Safavi, 20th Century Politicial Activist and  	Seminary Student, from “Where the Heads of the Renowned Rest”. Copyright the artist.
MOHAMMAD GHAZALI, Seyyed Mojtaba Mirlohi known as Navvab Safavi, 20th Century Politicial Activist and Seminary Student, from “Where the Heads of the Renowned Rest”. Copyright the artist.
MOHAMMAD GHAZALI, Abu Abdollah Ibn Mohammad Ibn Abdol Rahman Ibn Adam Rudaki, 10th Century Poet, from “Where the Heads of the Renowned Rest”. Copyright the artist.
MOHAMMAD GHAZALI, Abu Abdollah Ibn Mohammad Ibn Abdol Rahman Ibn Adam Rudaki, 10th Century Poet, from “Where the Heads of the Renowned Rest”. Copyright the artist.
MOHAMMAD GHAZALI, Ali Esfandiari  	or Ali Nouri known as Nima Youshij, 20th Century Poet, from “Where the Heads of the Renowned Rest”. Copyright the artist.
MOHAMMAD GHAZALI, Ali Esfandiari or Ali Nouri known as Nima Youshij, 20th Century Poet, from “Where the Heads of the Renowned Rest”. Copyright the artist.

See more of Mohammad Ghazali's work here.

Untitled Selection is a bi-weekly post of photography from ArtAsiaPacific’s areas of coverage. Created by photo editor, Ann Woo.

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