Simple Semiotics: Interview with Michael Craig-Martin
By Ysabelle Cheung
Michael Craig-Martin is jetlagged. At the hour of our meeting, the Dublin-born septuagenarian rolled into Hong Kong’s upscale Peninsula hotel after having unglued himself from an overextended luncheon. It is March 20, a day after his arrival in temperate Hong Kong straight from foggy England, and the beginning of the city’s week-long annual art frenzy.